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* Night Studio ☆ PDF Download by ^ Musa Mayer eBook or Kindle ePUB Online free. Night Studio Philip Guston (1913-1980) was driven, sustained, and consumed by art. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston's own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his overwhelming s
| Title | : | Night Studio |
| Author | : | |
| Rating | : | 4.68 (508 Votes) |
| Asin | : | 0394563778 |
| Format Type | : | paperback |
| Number of Pages | : | 256 Pages |
| Publish Date | : | 2017-10-25 |
| Language | : | English |
Jan M. Swanson said It was wonderful to read the real story about guston. It was wonderful to read the real story about guston. I could really relate to all his art ups and gowns and his desire to paint all the time ! Thank you!. Five Stars very interesting. A father's love? The relationship between a father/daughter can be rocky or smooth. You'll understand why when you read Musa's book about her Dad.
Philip Guston (1913-1980) was driven, sustained, and consumed by art. Musa Mayer augments her firsthand knowledge with extensive interviews with his family, friends, students, and colleagues, as well as Guston's own letters, notes, and autobiographical writings, to re-create a turbulent era in American art. Night Studio, profusely illustrated (including almost a dozen paintings in full color), illuminates not only the life of a great artist, but the experience of growing up in his overwhelming shadow.. Critics and public alike savaged Guston for his return to figurative art, but today his late work is recognized for the singular power of his personal, darkly hilarious vision. His style ranged from the social realism of his WPA murals through his abstract expressionist canvasses of the 1950s and 1960s (when he counted Pollock, Rothko, de Kooning, and Kline among his friends) to his cartoonlike paintings of Klansmen, disembodied heads, and tangled piles of everyday objects
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