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^ Noise Uprising: The Audiopolitics of a World Musical Revolution ó PDF Download by # Michael Denning eBook or Kindle ePUB Online free. Noise Uprising: The Audiopolitics of a World Musical Revolution Democratizing Music Just as content is king on the internet today, so it was when high tech In the 1920s was the phonograph. Competing companies scoured the world for music no one in America had access to, and of course the jazz and blues of the US south. It brought fado from Portugal, tango from Argentina, raga from India, and jazz from New Orleans from the lowest street music to the highest socio-economic classes in the west, making stars out of performers in their own countries and in the USA
Title | : | Noise Uprising: The Audiopolitics of a World Musical Revolution |
Author | : | |
Rating | : | 4.58 (877 Votes) |
Asin | : | 1781688567 |
Format Type | : | paperback |
Number of Pages | : | 320 Pages |
Publish Date | : | 2015-05-11 |
Language | : | English |
It utterly revises the history and geography of modern music.”—Vijay Prashad“I suspect it will be the most important book released on music this year.” —Jonathon Kyle Sturgeon, Flavorwire One of the “Best Books of 2015.”—Financial Times “The scope of Denning’s book—dozens of genres across five continents—is impressive … Noise Uprising offers an ambitious map of the connections between them.”—Tim Barker, The New Republic “An ambitious record of a revolution in sound in the late 1920s that erupted in port towns everywhere, from
A radically new reading of the origins of recorded musicNoise Uprising brings to life the moment and sounds of a cultural revolution. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana’s son, Rio’s samba, New Orleans’ jazz, Buenos Aires’ tango, Seville’s flamenco, Cairo’s tarab, Johannesburg’s marabi, Jakarta’s kroncong, and Honolulu’s hula. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. They triggered the first great battle over popular music and became the soundtrack to decolonization.
Democratizing Music Just as content is king on the internet today, so it was when high tech In the 1920s was the phonograph. Competing companies scoured the world for music no one in America had access to, and of course the jazz and blues of the US south. It brought fado from Portugal, tango from Argentina, raga from India, and jazz from New Orleans from the lowest street music to the highest socio-economic classes in the west, making stars out of performers in their own countries and in the USA.We now have music on demand, but until the phonograph, music happened at a specific tim. Five Stars J. Cheung Great!
In 2014, he received the Bode-Pearson lifetime achievement award from the American Studies Association. Kenan, Jr., Professor of American Studies at Yale University, and the co-director of Yale’s Initiative on Labor and Culture. . He coordinates the Working Group on Globalization and Culture, whose collecti
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