Read Refried Elvis: The Rise of the Mexican Counterculture by Eric Zolov Online
^ Refried Elvis: The Rise of the Mexican Counterculture ë PDF Read by ! Eric Zolov eBook or Kindle ePUB Online free. Refried Elvis: The Rise of the Mexican Counterculture "Very Thorough!" according to Mark Nenadov. This scholarly and well-researched book reveals and analyzes the sources and influences in the development of Mexican counterculture, especially in relation to rock music. It thoroughly covers areas such as the influence of music from the USA, resistance to perceived "musical imperialism", concerts, the crackdown on rock, activities of record companies in Mexico,. "Good history but disappointing musical analysis" according to tortuga. This is an intere
| Title | : | Refried Elvis: The Rise of the Mexican Counterculture |
| Author | : | |
| Rating | : | 4.90 (741 Votes) |
| Asin | : | 0520215141 |
| Format Type | : | paperback |
| Number of Pages | : | 364 Pages |
| Publish Date | : | 2015-07-13 |
| Language | : | English |
"Eric Zolov's Refried Elvis is an innovative, perceptive and empirically rich contribution to the cultural history of transnationalism. The politics of the counterculture of the 1960s and 70s, with its ambivalent relation to Americanization, to modernization, and to indigenous societies provides an exemplary antidote to the tedious and seemingly interminable repetition of these hopelessly outdated national images." -- Claudio Lomnitz, author of Exits from the Labyrinth. Mexican nationalist obsessions with historical roots - with the Revolution, the Conquest, and the saga of the mestizo - have to
Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state.Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than
"Very Thorough!" according to Mark Nenadov. This scholarly and well-researched book reveals and analyzes the sources and influences in the development of Mexican counterculture, especially in relation to rock music. It thoroughly covers areas such as the influence of music from the USA, resistance to perceived "musical imperialism", concerts, the crackdown on rock, activities of record companies in Mexico,. "Good history but disappointing musical analysis" according to tortuga. This is an interesting book but it promises a good deal more than it delivers. It's an interesting history of the recording industry in Mexico, but we never really get a sense of what the "counterculture" in Mexico was and what music had to do with it. The history is rather anecdotal and musical analysis is superficial. The most interesting chapters are the early. Five Stars Great Book!
Eric Zolov is Assistant Professor of Latin American History at Franklin and Marshall College.
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