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! The Lyre of Orpheus: Popular Music, the Sacred, and the Profane ↠ PDF Read by # Christopher Partridge eBook or Kindle ePUB Online free. The Lyre of Orpheus: Popular Music, the Sacred, and the Profane He shows how popular music's power to move, to agitate, to control listeners, to shape their identities, and to structure their everyday lives is central to constructions of the sacred and the profane. It is uniquely able to move us, to guide the imagination, to evoke memories, and to create spaces within which meaning is made. The myth of Orpheus articulates what social theorists have known since Plato: music matters. Drawing on a wide range of musicians and musical genres, as well as a number
| Title | : | The Lyre of Orpheus: Popular Music, the Sacred, and the Profane |
| Author | : | |
| Rating | : | 4.17 (514 Votes) |
| Asin | : | 0199751404 |
| Format Type | : | paperback |
| Number of Pages | : | 368 Pages |
| Publish Date | : | 2013-12-05 |
| Language | : | English |
Christopher Partridge is Professor of Religious Studies in the Department of Politics, Philosophy and Religion at Lancaster University, UK. He is the author of a number of books, including The Re-Enchantment of the West, 2 volumes (2004, 2005) and Dub in Babylon (2010) and the editor of several books, including UFO Religions (2003), E
He shows how popular music's power to move, to agitate, to control listeners, to shape their identities, and to structure their everyday lives is central to constructions of the sacred and the profane. It is uniquely able to move us, to guide the imagination, to evoke memories, and to create spaces within which meaning is made. The myth of Orpheus articulates what social theorists have known since Plato: music matters. Drawing on a wide range of musicians and musical genres, as well as a number of theoretical approaches from critical musicology, cultural theory, sociology, theology, and the study of religion, The Lyre of Orpheus reveals the significance and the progressive potential of popular music.. Popular music occupies a place of particular social and cultural significance. Christopher Partridge explores this significance, analyzing its complex relationships with the values and norms, texts and discourses, rituals and symbols, and codes
"I'm sure there is a lot of fine and useful information in it" according to R. Ohal. I bought this book as a required text for a songwriting class. I'm sure there is a lot of fine and useful information in it, skillfully buried underneath wordy, clunky paragraphs and hidden in didactic prose. Though it was a requirement, I honestly couldn't get through it. And I tried. Many, many times. He seemed to have many vital things to say, and I wanted to read them, but the amount of digging and re-reading I had to do in order to find the treasures was exhausting, and I gave up.
Partridge's work is a fascinating and insightful place to begin."--Anglican Theological Review"The Lyre of Orpheus itself functions as edgework too. Partridge moves the discussion of religion and popular music on from concerns about the religious meanings of lyrics, or broad analogies of popular music scenes as 'religions,' by addressing how music constructs emotional experiences which reinforce or transgress social understandings of the sacred he shows how popular music continues to have religious significance in social settings far removed from traditional forms of institutional religion, as well as illuminating the complex relationships that persist between popular music and religious traditions. He demonstrates how the
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