Read The Romantic Generation (The Charles Eliot Norton Lectures) by Charles Rosen Online
Read [Charles Rosen Book] # The Romantic Generation (The Charles Eliot Norton Lectures) Online ^ PDF eBook or Kindle ePUB free. The Romantic Generation (The Charles Eliot Norton Lectures) An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context.Rosen covers a remarkably broad rang
| Title | : | The Romantic Generation (The Charles Eliot Norton Lectures) |
| Author | : | |
| Rating | : | 4.51 (580 Votes) |
| Asin | : | 0674779347 |
| Format Type | : | paperback |
| Number of Pages | : | 744 Pages |
| Publish Date | : | 2013-04-28 |
| Language | : | English |
An exhilarating exploration of the musical language, forms, and styles of the Romantic period, it captures the spirit that enlivened a generation of composers and musicians, and in doing so it conveys the very sense of Romantic music. He adeptly integrates his observations on the music with reflections on the art, literature, drama, and philosophy of the time, and thus shows us the major figures of Romantic music within their intellectual and cultural context.Rosen covers a remarkably broad range of music history and considers the importance to nineteenth-century music of other cultural developments: the art of landscape
"Charles Rosen's Romantic Generation" according to Robin Friedman. Published in 1998, Charles Rosen's "The Romantic Generation" is an extraordinary erudite study of music, its performance, and its cultural history. The study was an outgrowth of lectures Rosen gave at Harvard in 1980-1981 and is a companion volume to Rosen's earlier book, "The Classical Style". The Classical Style: Haydn, Mozart, Beethoven (Expanded Edition) Rosen combines deep scholarship and love for music with his gifts as a concert pianist. He is Professor Emeritus of Music and Social Thought at the University of Chicago.The focus of the book is on the great composers born roughly around 1810, including Schumann, Chopin, Liszt. The Rebellious Generation Roochak "I think it is probable that Beethoven's death hastened the rapid development of new stylistic tendencies which had already made themselves felt and which, indeed, even influenced his own music," states Charles Rosen in his preface to one of the most detailed and enjoyable musical essays I've ever read. The leaders of the 1830s musical avant-garde -- Chopin, Liszt, and Schumann -- heard those "new stylistic tendencies" in Schubert and late Beethoven, and made them the basis of a revolutionary musical style, one offering rhythmic, harmonic, and structural freedom from Classical tradition.Rosen's focus on the piano is understandable. Some essential Chopin criticism in here Rosen's "The Romantic Generation" is really written for people with a thorough grounding in music theory, but even with a limited understanding of harmony, counterpoint, and structure, I was able to derive much enjoyment from these essays.Rosen's first love is obviously Chopin, and his three chapters on the Polish master are essential reading, I think, for anyone trying to master the subject. Rosen effectively explodes any lingering remnants of the charge that Chopin was incapable of handling large forms, or was an "untrained genius." He makes a convincing case for Chopin as the most assiduously trained and capable musician of his
This is a companion volume to his 1970 work, The Classical Style. It is thick, densely written and profusely illustrated with musical examples of the things Rosen, a well-known concert pianist as well as author and lecturer, writes about: the music of the Romantic period, particularly as exemplified by Mendelssohn, Schumann, Chopin, Liszt, Bellini, and Schubert, in the light of their times. This is not a book for musical wimps. . It is also highly rewarding if you can make it all the way through. Because it can be difficult to write adequately about music, it is especially felicitous that Rosen has chosen to append a 74-minute CD that demonstrates some of his points
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