Read Wallace Putnam by Francis M. Naumann Online
Download # Wallace Putnam PDF by # Francis M. Naumann eBook or Kindle ePUB Online free. Wallace Putnam Wallace Putnam (1899-1989) burst upon the New York art scene in 1936 with a large assemblage provocatively entitled Agog, prominently displayed in the entranceway to a major exhibition of Dadaist and Surrealist art at The Museum of Modern Art. Though he went on to create a highly innovative body of work that was shown in major museums, Putnam remains underappreciated, deserving of the reassessment that this first study of his art will stimulate.Putnam's work is largely figurative, with elements
| Title | : | Wallace Putnam |
| Author | : | |
| Rating | : | 4.21 (885 Votes) |
| Asin | : | 0810963973 |
| Format Type | : | paperback |
| Number of Pages | : | 336 Pages |
| Publish Date | : | 2013-07-30 |
| Language | : | English |
. Naumann is an independent art historian specializing in the Dada and Surrealist periods.Amadeus is curator of the Estate of Wallace Putnam and an award winning writer of short fiction
. About the Author Naumann is an independent art historian specializing in the Dada and Surrealist periods.Amadeus is curator of the Estate of Wallace Putnam and an award winning writer of short fiction
Wallace Putnam (1899-1989) burst upon the New York art scene in 1936 with a large assemblage provocatively entitled Agog, prominently displayed in the entranceway to a major exhibition of Dadaist and Surrealist art at The Museum of Modern Art. Though he went on to create a highly innovative body of work that was shown in major museums, Putnam remains underappreciated, deserving of the reassessment that this first study of his art will stimulate.Putnam's work is largely figurative, with elements of abstraction. Art lovers will relish this opportunity to discover a significant yet too-long-ignored artist whose paintings -- appealing, colorful canvases depicting the human figure, birds, animals, and landscapes -- can today be found in major private and public collections.
R. L. Croft said "Out" of the "In" Crowd. This book is an overdue shaft of light on the life and work of an artist who not only displayed intense emotions in a style skimming the edge of representation, but who also scaled the conceptual depths of what constituted painting, writing and sculpture. Admirers of Duchamp, Rauschenberg, Johns, early Pop Art, Katz, and the New Image and Neo-Expressionists of
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