Read Antonia Mercé, la Argentina: flamenco y la vanguardia española by Ninotchka Bennahum Online
# Antonia Mercé, la Argentina: flamenco y la vanguardia española ☆ PDF Read by ^ Ninotchka Bennahum eBook or Kindle ePUB Online free. Antonia Mercé, la Argentina: flamenco y la vanguardia española A pretty and necessary work, but flawed This is a pretty book, filled with lots of wonderful historic photos and other memorabilia. It is heartening to see a full work about a creator within that larger genre of "Spanish Dance," and it is a work filled with lots of information. It brings to life, at times in great detail, the character of Antonia Mercé and the era in which she lived. This is a work that should appeal to dance enthusiasts, dance historians, a]
| Title | : | Antonia Mercé, la Argentina: flamenco y la vanguardia española |
| Author | : | |
| Rating | : | 4.94 (945 Votes) |
| Asin | : | 0819563838 |
| Format Type | : | paperback |
| Number of Pages | : | 282 Pages |
| Publish Date | : | 2013-03-03 |
| Language | : | Spanish |
A pretty and necessary work, but flawed This is a pretty book, filled with lots of wonderful historic photos and other memorabilia. It is heartening to see a full work about a creator within that larger genre of "Spanish Dance," and it is a work filled with lots of information. It brings to life, at times in great detail, the character of Antonia Mercé and the era in which she lived. This is a work that should appeal to dance enthusiasts, dance historians, a
In 1991, she founded The Route 66 Dance Company to bring flamenco, modern, and ballet dancers and musicians together. . In 1986, she received her doctorate in Performance Studies from New York University's Tisch School of the Arts. She writes on ballet and flamenco dance for The Village Voice, the New York Times, the Albuquerque Journal, and elsewhere and teaches dance hist
A fascinating chunk of dance history restored to public eyes."--Dance Magazine . "Bennahum has revived the memory of a vital mover and shaker of the dance community; and in doing so she also examines Merce's role as a feminist and modernist
Her intensive musical and theatrical collaborations with members of the Spanish vanguard -- Manuel de Falla, Frederico Garcia Lorca, Enrique Granados, Nestor de la Torre, Joaquin Nin, and with renowned Andalusian Gypsy dancers -- reflect her importance as an artistic symbol for contemporary Spain and its cultural history. When she died in 1936, newspapers around the world mourned the passing of the "Flamenco Pavlova.". Antonia Merce, stage-named La Argentina, was the most celebrated Spanish dancer of the early 20th century
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