Read Frank Miller: The Comics Journal Library Volume 2 by Frank Miller Online
Read ^ Frank Miller: The Comics Journal Library Volume 2 PDF by ! Frank Miller eBook or Kindle ePUB Online free. Frank Miller: The Comics Journal Library Volume 2 His graphic novel The Dark Knight Returns stands with Moore and Gibbons' seminal Watchmen and Art Spiegelman's Pulitzer Prize-winning Maus as one of the revolutionary graphic novels of the 1980s, influencing scores of artists to this day. Features new interview and never-before-seen art. In 2001, Miller returned to create a sequel, the highly controversial The Dark Knight Strikes Again.This volume, the second in The Comics Journal Library series of oversized co
| Title | : | Frank Miller: The Comics Journal Library Volume 2 |
| Author | : | |
| Rating | : | 4.17 (868 Votes) |
| Asin | : | 1560975288 |
| Format Type | : | paperback |
| Number of Pages | : | 120 Pages |
| Publish Date | : | 0000-00-00 |
| Language | : | English |
Emerging as one of the most important creators in comics at the young age of 24, he reinvented the superhero before turning 30, and later became a tireless crusader for the First Amendment, first by speaking out against a proposed comics ratings system and then by working with the Comic Book Legal Defense Fund. Many themes appear and reappear even from his earliest days, Miller was not a fan of the entrenched superhero establishment, and his predictions of their ultimate shortcomings have mostly come true. With its hardboiled style and fatalistic world view, Miller's work from his early Daredevil to the groundbreaking Dark Knight Returns to his b&w crime saga Sin City to the controversial The Dark Knight Strikes Again has influenced countless cartoonists. . Originally presented in the pages of The Comics Journal, thes
His graphic novel The Dark Knight Returns stands with Moore and Gibbons' seminal Watchmen and Art Spiegelman's Pulitzer Prize-winning Maus as one of the revolutionary graphic novels of the 1980s, influencing scores of artists to this day. Features new interview and never-before-seen art. In 2001, Miller returned to create a sequel, the highly controversial The Dark Knight Strikes Again.This volume, the second in The Comics Journal Library series of oversized coffee-table collections of interviews drawn from the Journal's 26-year history, features interviews with Miller spanning his entire professional career, including a new interview conducted for this volume. We experience Miller, in his own words, as the revolutionary 24-year-old freelance artist of Marvel Comics' Daredevil (now a major motion picture, based on Miller's work, and featuring Miller's creation Elektra); Miller as a 28-year-old on the cusp of changing mainstream culture forever with the graphic novels Ronin, The Dark Knight Return and Batman: Year One (also planned as an imminent movie) for DC Comics; a 30-ye
Frank Miller Speaks! Cubist For fans of Frank Miller's work, this book is a must-purchase. Essentially a collection of interviews that he has done over the years with The Comics Journal, this book covers the man's entire career, from his early fanzine work right on up to DK2.In typical TCJ fashion, the interviews are quite in-depth and span a wide range of topics. Miller has always been a big proponent of fighting against censorship and sounds off on the self-imposed censoring that the comic compani. Essential reading for Frank Miller fans Doug Brunell Not only has Frank Miller influenced my writing (available right here on Amazon), but he changed the entire face of the comic book industry. "The Comics Journal," a magazine that produces some of the best interviews with comic book creators you'll ever read, delves into Miller's mind with some probbing, in-depth interviews that don't shy away from call the creator on his own personal faults. It may sometimes be uncomfortable to read (especially for fans who think Miller i. Frank Miller in his own words buyer Frank Miller was an influential comic book author in the 80's when his Daredevil and Batman treatments challenged the limits of their self-censoring publishers. When Miller began producing work with few or no editorial limits, the violence, tough talk, and melodrama of his stories and art reached operatic levels. You will see that progression in this book. This book has plenty for the Miller enthusiast including details about his work method, materials, and a very interes
Milo George is managing editor of The Comics Journal.
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