Read Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock 'n' Roll by Julian Cope Online
Read * Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock 'n' Roll PDF by * Julian Cope eBook or Kindle ePUB Online free. Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock 'n' Roll Excellent Follows up on Mr. Cope 1995's Krautrocksampler, which detailed Germany's (1st of 3 Axis powers) late 60's early 70's heavy pysch and experimental music scene.This book details Japan's (2nd of 3 Axis powers) late 60's early 70's heavy pysch and experimental music scene.( Therefore, it Does Not deal with contemporary noise/pysch Acid Mothers Temple, etc or JRock scenes).Beautifully written, enclosed in a hardbo. "Cope's done it again!" according to Lovblad. After having written the excel
| Title | : | Japrocksampler: How the Post-War Japanese Blew Their Minds on Rock 'n' Roll |
| Author | : | |
| Rating | : | 4.60 (681 Votes) |
| Asin | : | 0747589453 |
| Format Type | : | paperback |
| Number of Pages | : | 304 Pages |
| Publish Date | : | 2017-09-06 |
| Language | : | English |
This insightful study from visionary rock musician Julian Cope explores what really happened when Western music met Eastern shores. The clash between traditional Japanese values and the wild renegades of 1960s and 1970s rock ‘n’ roll is examined, and the seminal artists in Japanese post-World War II culture are all covered. In the 1960s rock ‘n’ roll music began crossing the Atlantic Ocean—with The Beatles and The Who leading the British Invasion of the United States—and the Pacific Ocean, as American and European rock slowly began to take hold in Japan. From itinerate art-house poets to violent refusenik bands with penchants for plane hijacking, this is the story of the Japanese youths and musicians who simultaneously revolutionized a musical genre and the culture of a nation.
Cope covers everything from psychedelic, progressive and blues rock to chamber, experimental and ambient music, the Miles Davis-influenced jazz scene, the drug culture, the Tokyo production of Hair and, of course, Yoko Ono. Copyright © Reed Business Information, a division of Reed Elsevier Inc. . All rights reserved. His breathtaking knowledge of the scene doesn't hurt, either; thorough throughout, Cope (Krautrocksampler) reels out Japanese political, social and cultural history from the mid-Nineteenth Century on before delving into early hits like the prescient 1950s "TV idoru" genre (meaning, literally, TV idols) and the Beetles' generation-defining Japanese tour ("Waving goodbye was somewhat akin to watching four divinities departing Earth") that sparked the Group Sounds movement. Though Britis
Excellent Follows up on Mr. Cope 1995's Krautrocksampler, which detailed Germany's (1st of 3 Axis powers) late 60's early 70's heavy pysch and experimental music scene.This book details Japan's (2nd of 3 Axis powers) late 60's early 70's heavy pysch and experimental music scene.( Therefore, it Does Not deal with contemporary noise/pysch Acid Mothers Temple, etc or JRock scenes).Beautifully written, enclosed in a hardbo. "Cope's done it again!" according to Lovblad. After having written the excellent Krautrocksampler more than 10 years ago, Julian Cope is now tackling 60's and 70's japanese Rock. As in his previous tome, this is a delightfully written book that not just reviews the records, but also provides historic anectdotes and places the book within its historic context. As an example of erudite rock list book writing there is nothing better. The main difference is . Neko said Better than nothing.. Japrocksampler is entertainingly written and it's fine if you're just looking for an intro to Flower Travellin' Band and some of the Fluxus-related stuff. However, I'm giving three stars because Cope writes as if he's more familiar with the material than he actually is. His sourcing is shady and he seems to have leaned heavily on just a couple of narratives available in English. He's also really biased agains
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