Read Pretty Good for a Girl: Women in Bluegrass (Music in American Life) by Murphy Hicks Henry Online
Read [Murphy Hicks Henry Book] ! Pretty Good for a Girl: Women in Bluegrass (Music in American Life) Online * PDF eBook or Kindle ePUB free. Pretty Good for a Girl: Women in Bluegrass (Music in American Life) Captivating and informative Bluegrass music has been known traditionally as a male-dominated genre. If you are even a little bit interested in the history of bluegrass music, this book is a declaration of how women have made and continue to make their mark on the music. From the less well-known (e.g., Grace French) to the famous (e.g., Allison Kraus), it grabs you from the first page and draws you into the stories of over fifty women, driven to do what they love: play music. Some of the book's f
| Title | : | Pretty Good for a Girl: Women in Bluegrass (Music in American Life) |
| Author | : | |
| Rating | : | 4.90 (934 Votes) |
| Asin | : | 0252079175 |
| Format Type | : | paperback |
| Number of Pages | : | 528 Pages |
| Publish Date | : | 2013-01-30 |
| Language | : | English |
Among the bluegrass women profiled here are Rose Maddox, the Stonemans, Hazel Dickens and Alice Gerrard, and the Buffalo Gals, along with Alison Krauss and the Dixie Chicks. From Booklist For too many years, bluegrass was considered a “man’s music.” But as this impressive history of women in bluegrass clearly indicates, women have been a big part of bluegrass since its earliest days, even when they were ignored by the media and fellow musicians. --June Sawyers . In all, a much-needed addition to the bluegrass canon. What most people don’t know, she points out, is that when Earl Scruggs, Bill Monroe, and Lester Flatt created the Blue Grass Boys in 194
Captivating and informative Bluegrass music has been known traditionally as a male-dominated genre. If you are even a little bit interested in the history of bluegrass music, this book is a declaration of how women have made and continue to make their mark on the music. From the less well-known (e.g., Grace French) to the famous (e.g., Allison Kraus), it grabs you from the first page and draws you into the stories of over fifty women, driven to do what they love: play music. Some of the book's fascination comes. Pretty Good for a Girl by Murphy Hicks Henry - Book Review Ted Lehmann The genesis of Pretty Good for a Girl: Women in Bluegrass by Murphy Hicks Henry (University of Illinois Press, 2013, 456 pages, $29.95) grew from a comment intended as a compliment but experienced by women musicians as the ultimate put-down. Henry decided to create a data base of women in bluegrass as well as to begin distributing a newsletter on the same topic which continued to be published until 2003. Her master's thesis on Sally Ann Forrester, the first woman in bluegrass, became. some good information but some pontificating also. Too much bias in it and it seems like some of it was researched with a predetermined feminist agenda, like claiming the first true bluegrass band had an accordion in it (of course played by a women).
The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks
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