Read Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music by Jesse Weaver Shipley Online
[Jesse Weaver Shipley] å Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music Î Download Online eBook or Kindle ePUB. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music "Readable, interesting cultural history" according to Anne Balay. This book tells an interesting story about Hip Hop in Ghana. Though it's scholarly and well-researched, it's also fun to read, and full of stories and first-person experience. I recommend it to anyone who wants to know more about how music has shaped, and is shaped by, post-c. "A must read." according to Pya Verrett. These are real people with complex lives in Accra (the capital city of Ghana), trying to turn something they love i
| Title | : | Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music |
| Author | : | |
| Rating | : | 4.95 (627 Votes) |
| Asin | : | 0822353660 |
| Format Type | : | paperback |
| Number of Pages | : | 344 Pages |
| Publish Date | : | 2016-05-18 |
| Language | : | English |
"Readable, interesting cultural history" according to Anne Balay. This book tells an interesting story about Hip Hop in Ghana. Though it's scholarly and well-researched, it's also fun to read, and full of stories and first-person experience. I recommend it to anyone who wants to know more about how music has shaped, and is shaped by, post-c. "A must read." according to Pya Verrett. These are real people with complex lives in Accra (the capital city of Ghana), trying to turn something they love into a viable living. They find connections to the lyrics and sound of NYC mc's but also formulate their aspirations in relation to the successes of the big names. Global Culture loveshistory Living the Hiplife invites a new understanding of the Global. It shows how major local icons achieve global reach with their art forms through the channels of emigration and diaspora. It's also an offbeat contribution to economic history, showing young African entrepreneurs o
Living the Hiplife is an ethnographic account of hiplife in Ghana and its diaspora, based on extensive research among artists and audiences in Accra, Ghana's capital city; New York; and London. Jesse Weaver Shipley examines the production, consumption, and circulation of hiplife music, culture, and fashion in relation to broader cultural and political shifts in neoliberalizing Ghana.Shipley shows how young hiplife musicians produce and transform different kinds of value—aesthetic, moral, linguistic, economic—using music to gain social status and wealth, and to become respectable public figures. Hiplife is a popular music genre in Ghana that mixes hip-hop beatmaking and rap with highlife music, proverbial speech, and Akan storytelling. In this entrepreneurial age, youth use celebrity as a form of currency, aligning music-making with self-making and aesthetic pleasure with business success. They made their underground sound mainstream by infusing carefree bravado with traditional respectful oratory and familiar Ghanaian rhythms. Registering both the globalization of electronic, digital media and the changing nature of African diasporic relations to Africa, hiplife links coll
I am particularly struck by his identification of the skills of electronic mediation as crucial to good musicianship, good cultural brokerage, good hustling, and good entrepreneurship.". Jesse Weaver Shipley's ethnography of these artists and their listeners presents their ways of laboring as forms of struggle under neoliberal conditions. "Living the Hiplife is about young hiplife musicians in Ghana trying to make good while making do. The musicians are at once artists, entrepreneurs, and hustlers
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