Read Popular Music in Theory: An Introduction (Music/Culture) by Keith Negus Online

! Read # Popular Music in Theory: An Introduction (Music/Culture) by Keith Negus ↠ eBook or Kindle ePUB. Popular Music in Theory: An Introduction (Music/Culture) Popular Music in Theory is an original introduction to the key theoretical issues which arise in the study of contemporary popular music. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Keith Negus explores the equally significant social processes that intervene between and across the production-consumption divide, and examines how popular music is mediated by technological, cultural, historical, geographical, and political factors

Popular Music in Theory: An Introduction (Music/Culture)

Title : Popular Music in Theory: An Introduction (Music/Culture)
Author :
Rating : 4.27 (612 Votes)
Asin : 0819563102
Format Type : paperback
Number of Pages : 249 Pages
Publish Date : 2017-12-15
Language : English

Negus attempts a critical response to Adorno Negus attempts a critical response to Adorno but fails to hit the mark.I was not impressed with this book, but it is a good academic toolnonetheless. I read it for a class in my university and it gave interestinginsight into the realm of the books title "Popular music in Theory."

Popular Music in Theory is an original introduction to the key theoretical issues which arise in the study of contemporary popular music. Starting from the dichotomy between production and consumption which characterizes much work on popular culture, Keith Negus explores the equally significant social processes that intervene between and across the production-consumption divide, and examines how popular music is mediated by technological, cultural, historical, geographical, and political factors. Although intended mainly for students in sociology, media and communication studies, and cultural studies, the book will also give others a deeper understanding of popular music.. This broad framework provides signposts to various tracks ta

Clearly written and well argued, the book will be essential reading for students, researchers and teachers." -- Sarah Cohen, Institute of Popular Music, University of Liverpool . "An excellent critical introduction to major theoretical issues and debates in the study of contemporary popular music, drawing on illustrative case studies that will be familiar to a wide readership

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