Read The Song is Ended: Songwriters and American Music, 1900-1950 by William G. Hyland Online
! The Song is Ended: Songwriters and American Music, 1900-1950 ☆ PDF Read by # William G. Hyland eBook or Kindle ePUB Online free. The Song is Ended: Songwriters and American Music, 1900-1950 Cohan. Author William G. The melodies from this golden era truly linger on, just as Berlin predicted, and reverberate on every page of this superb volume.. Nostalgic lovers of good music will delight in the stories behind some of their favorite songs: Irving Berlin, for example, originally wrote his tender and romantic classic "I'll Be Loving You, Always," for a Marx Brothers revue (he wisely cut it), and he first composed "God Bless America" as an enlisted soldier in 1918, only to put it aside
| Title | : | The Song is Ended: Songwriters and American Music, 1900-1950 |
| Author | : | |
| Rating | : | 4.40 (963 Votes) |
| Asin | : | 0195086112 |
| Format Type | : | paperback |
| Number of Pages | : | 360 Pages |
| Publish Date | : | 2014-11-07 |
| Language | : | English |
Cohan. Author William G. The melodies from this golden era truly linger on, just as Berlin predicted, and reverberate on every page of this superb volume.. Nostalgic lovers of good music will delight in the stories behind some of their favorite songs: Irving Berlin, for example, originally wrote his tender and romantic classic "I'll Be Loving You, Always," for a Marx Brothers revue (he wisely cut it), and he first composed "God Bless America" as an enlisted soldier in 1918, only to put it aside for almost twenty years when the pianist helping him rehearse for an army benefit complained "Geez, another patriotic song?" From Cole Porter's light-hearted and irrepressible "You're the Top" to Rodgers and Hart's wistful "Blue Moon" or the unforgettable "Summertime" from George Gershwin's masterful "Porgy and Bess," The Song is Ended captures the charm, freshness and vitality of a
Hyland was Editor of Foreign Affairs for many years, and is currently Research Pofessor at Georgetown University's School of Foreign Service. About the Author:William G. After a long and successful career at top levels of the State Department and the White House staff, he returns here to his first love
Sasha said Excellent read,confusing cover. Am I the only one who noticed that this book have excatly the same cover (and the subject) as the book "They're playing our song" by Max Wilk? Both books are excellent and give insight in early "Excellent read,confusing cover" according to Sasha. Am I the only one who noticed that this book have excatly the same cover (and the subject) as the book "They're playing our song" by Max Wilk? Both books are excellent and give insight in early 20.century pop music,share basically same anecdotes and are based on life & works of music masters who shaped Broadway.. 0.century pop music,share basically same anecdotes and are based on life & works of music masters who shaped Broadway.
Copyright 1995 Reed Business Information, Inc. Engagingly written and comprehensive, this excellent addition to the literature on popular music's golden age reminds us that the melodies linger on. Dividing his well-researched book into three main sections?the dawn of the popular music publishing business on Tin Pan Alley in the early part of the century; the advent of the jazz age in the 1920s; and the lure of Hollywood in the '30s and '40s?Hyland weaves the stories of his subjects together and covers some of their most important works, including Porgy and Bess, Top Hat, Oklahoma! and Anything Goes. . His treatment of each is enlightening for its incisive explanations of why American popular music developed as it did and how the greats become just that. From Publishers Weekly Focusing on his "own arbitary taste and interests," Hyland, a research professor at Georgetown University's School of Foreign
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