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* Performing Rites: On the Value of Popular Music ✓ PDF Download by ! Simon Frith eBook or Kindle ePUB Online free. Performing Rites: On the Value of Popular Music From "this sounds good" to "this is good." There is a lot to say about "Performing Rites," or rather there is a lot to say about the many different trajectories cameoed as this book progresses. It is a work that deliberately seeks to question rather than to answer, offering provocatively fertile and arguable points rather than a systemic totalizing argument.Keeping this in mind, the basic question Frith seeks out is: "Well, we know we make value judgments about popular music all the time. How an
| Title | : | Performing Rites: On the Value of Popular Music |
| Author | : | |
| Rating | : | 4.98 (594 Votes) |
| Asin | : | 0674661966 |
| Format Type | : | paperback |
| Number of Pages | : | 360 Pages |
| Publish Date | : | 2017-07-15 |
| Language | : | English |
From "this sounds good" to "this is good." There is a lot to say about "Performing Rites," or rather there is a lot to say about the many different trajectories cameoed as this book progresses. It is a work that deliberately seeks to question rather than to answer, offering provocatively fertile and arguable points rather than a systemic totalizing argument.Keeping this in mind, the basic question Frith seeks out is: "Well, we know we make value judgments about popular music all the time. How and Why are these made?"That's a tall order. And Frith seeks to start from the listener's "common sense" perspective, but also incorporates production as well. Of course . From Performers to Listeners and Everyone Else In to Music's Path Pat I'm always amazed with writers who can produce a whole book out of philosophical contemplation, creating a winding path of questions, some answers, opinions, quotes, observations, study results, and random but relevant thoughts ultimately exploring cultural responses, consumption of, perceptions of value, aesthetics and social patterns related to music whether originating in Africa, Western popular or classical "art" music, ritualistic music, and beyond. Frith does offer some "bottom lines" such as the need to dissolve perceived approaches to the various types of music. He relies on extensive research and historical c. Enough! R. N. Owen I bought this book when it was first published some years back. A mistake. Frith takes a subject, pop/rock music, which offers so much joy, inspiration and pleasure then systematically removes all the fun with an over-educated academic hodge-podge of verbiage which should never have seen the light of day - let alone been put between the covers of a book. There are many books on popular music and culture which capture the rock'n'roll spirit or at least acknowledge it's existence, Frith should take his thesaurus and footnotes somewhere more suitable - maybe a study of nineteenth century novelists? Let's hope he's inflic
Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. J. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives.Taking up hundreds of songs and writers, Frith insists on ac
. The British Frith (Sound Effects) is the kind of scholar the best rock and roll deserves?a true fan first, a critic/cultural commentator later. From Publishers Weekly University professors of a generation ago scoffed at the idea of their students listening to the Beatles and Bob Dylan more intently than to their own lectures on history and philosophy. Copyright 1996 Reed Business Information, Inc. Nowhere among his discussions of aesthetics does he offer answers about what it will be hip to listen to next week, but Frith's soc
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