Read William Cameron Menzies: The Shape of Films to Come by James Curtis Online
Read [James Curtis Book] * William Cameron Menzies: The Shape of Films to Come Online ^ PDF eBook or Kindle ePUB free. William Cameron Menzies: The Shape of Films to Come A pioneering book about a pioneer film stylist who production designed GONE WITH THE WIND. This is a book about an influential pioneer film stylist whose name isn't as well known as the films he helped to art direct - the technique of production design. The most famous of these was the GONE WITH THE WIND (Selznick 1939) and it was William Cameron Menzies who made that film into an early example of a movie experience by adding color visual techniques that gave audiences the feeling of grandeur in
| Title | : | William Cameron Menzies: The Shape of Films to Come |
| Author | : | |
| Rating | : | 4.79 (872 Votes) |
| Asin | : | 0375424725 |
| Format Type | : | paperback |
| Number of Pages | : | 432 Pages |
| Publish Date | : | 2016-01-01 |
| Language | : | English |
A pioneering book about a pioneer film stylist who production designed GONE WITH THE WIND. This is a book about an influential pioneer film stylist whose name isn't as well known as the films he helped to art direct - the technique of production design. The most famous of these was the GONE WITH THE WIND (Selznick 1939) and it was William Cameron Menzies who made that film into an early example of a movie experience by adding color visual techniques that gave audiences the feeling of grandeur in a way that other films couldn't match, particula. Swifty said Menzies the Magnificent.. This biography of the great William Cameron Menzies is a must-read for anyone interested in the heyday of Hollywood history. James Curtis writes a taut biography full of drama about a man who, apart from his movie work, led a fairly quiet life. I couldn't put this one down! Superbly illustrated too. (There were a few times I would have wished for running dates at the bottom of the page, but the interested reader will find precise production data for the . "This Production designed by." according to Sean William Menzies. What a shot in the arm this bio is! Especially since WCM and I have ancestors from the same village near Castle Menzies. I was born at the wrong time, I should have worked in the film industry in the 20's and This Production designed by. What a shot in the arm this bio is! Especially since WCM and I have ancestors from the same village near Castle Menzies. I was born at the wrong time, I should have worked in the film industry in the 20's and 30's when it was all still so new and everything you did was inventive and hands on. Now we are all mouse-clickers and digital artists, which in itself is an art form. But physical creation, physical involvement, is a thing of the past in movies, un. 0's when it was all still so new and everything you did was inventive and hands on. Now we are all mouse-clickers and digital artists, which in itself is an art form. But physical creation, physical involvement, is a thing of the past in movies, un
W. “I’ll never forget it.”) Curtis writes of Menzies’ design and supervision of John Barrymore’s Beloved Rogue (1927), a film that remains a masterpiece of craft and synthesis, one of the most distinctive pictures to emerge from Hollywood’s waning days of silent films, and of his extraordinary, opulent appointments for Gone With the Wind (1939). His more than 120 films include Rosita (1923), Things to Come (1936), Foreign Correspondent (1940), Kings Row (1942), Mr. Selznick invented for Menzies’ extraordinary, all-encompassing, Academy Award–winning work on Gone With the Wind (which he effectively co-directed). His artistry encompassed the large, scenic drawings of Douglas Fairbanks’ The Thief of Bagdad (1924), which created a new standard for beauty on the screen and whose exotic fairy-tale sets are still regarded as pure genius. It was Menzies—winner of the first-ever Academy Award for Art Direction, jointly for The Dove (1927) and Tempest (1928), and who was as well a director (fourteen pictures) and a producer (twelve pictures)—who changed the way movies were (and still are) made, in a career that spanned four decades, from the 1920s through the 1950s. He was the consummate designer of film architecture
Curtis is married and lives in Brea, California. JAMES CURTIS is the author of Spencer Tracy: A Biography, W. . Fields: A Biography (winner of the 2004 Theatre Library Association Award, Special Jury Prize), James Whale: A New World of Gods and Monsters, and Between Flops: A Biography of Preston Sturges. C
The man behind Gone with the Wind, Kings Row, Our Town, Things to Come, Invaders from Mars, Reign of Terror, both versions of The Thief of Bagdad and many, many other films was a genius, pure and simple, and his influence was incalculable. William Cameron Menzies, the man who more or less invented the idea of production design in movies, casts a very long shadow. He flickers in and out of the Korda family’s films, and I remember him well. This is a book than goes far beyond the film buff--it is an important life wonderfully told." &
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